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Welcome to the complete collection of our Photo Masterclasses. Just click on the images below to download a PDF of each masterclass and your photography skills will soon improve with our experts' advice.

Wild Places
Issue 280, March 2006

Welcome to the first of our exclusive 12-part series on the art of wildlife and nature photography. This month, we show you how to take better photographs of landscapes.

Mammal Portraits
Issue 281, April 2006

In our second masterclass, we’re tackling mammal portraits – one of the trickier subjects for the amateur (and expert) wildlife photographer.

Plant Portraits
Issue 282, May 2006

You might think that plants make relatively easy photographic subjects, but there are many things you need to consider to bring out the best in
your floral pictures.

From Dusk to Dawn
Issue 283, June 2006

A sunrise or sunset can transform an ordinary setting or subject into something really magical, but how do you take advantage of this beautiful light?

Underwater Photography
Issue 284, July 2006

This issue, we plunge into a completely different element – water. The sea is one of the most challenging places to get great photos, but don’t be put off.

Invertebrate Portraits
Issue 285, August 2006

Many budding wildlife photographers make the simple error of ignoring 99.9 per cent of potential subjects – our invertebrates.

Birds in Flight
Issue 286, September 2006

Just as you’re mastering the art of taking well-composed images of wildlife, we’re presenting you with an even greater challenge: capturing moving targets.

Animals in their Environment
Issue 287, Autumn 2006

Pulling back from your subject and revealing the world in which it lives enables you to imbue the image with tension and drama.

Bird Portraits
Issue 288, October 2006

A beautiful close-up photograph of a bird can offer a multitude of pleasures – character, composition and colour, to name but three.

Reptiles and Amphibians
Issue 289, November 2006

Don’t ignore reptiles and amphibians – they can be the most rewarding photographic subjects you’ll ever encounter.

Creative Visions of Nature
Issue 290, December 2007

It’s time to free your mind to take truly unforgettable photographs. The aim is to use your imagination to create an inspirational vision.

Wet Weather Wildlife
Issue 291, January 2007

It’s a mistake to assume that you need good weather to take good photos – sometimes the opposite is true.

Cold Weather Wildlife
Issue 292, February 2007

Frost, ice and snow not only change the appearance of the world around us, but also the way animals behave.

Black and White Photography
Issue 293, March 2007

Strip away the colour and a well-composed photograph will often increase in power. The very best black and white photos have a pure graphic quality that oozes emotion and energy.

Urban and Garden Wildlife
Issue 294, April 2007

Many photographers assume that you have to travel into the ‘wilds’ to take great pictures of wildlife. Not true!

Zoo Photography
Issue 295, May 2007

The best way to photograph exotic animals – without the expense or carbon emissions of a trip abroad – is to visit a zoo.

Bird Behaviour
Issue 296, June 2007

Watching the birdie is not as simple as it sounds. Solid fieldcraft, endless patience, lightning-fast reflexes and a deep understanding of your subjects’ lifestyles and habits are vital.

Mammal Behaviour
Issue 297, July 2007

Though there are plenty of subjects to choose from, actually photographing mammals in action is a very exacting skill.

Extreme Close-Up
Issue 298, August 2007

If you can get really close to your subject, you can enter a new world of wildlife photography. It’s a place of great beauty, seldom visited by most other people.

Innovative Wildlife Photography
Issue 300, September 2007

Trying out new methods and techniques allows you to step back from subject-led wildlife images and expand your photographic repertoire.

The World in our Hands
Issue 301, October 2007

Global warming, habitat destruction and exploitation of rare animals... Photography can highlight a crisis, document the damage it’s causing and inspire us all to do something about it.

 
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