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Sir Georg Solti, KBE (pronounced [ʃolti]) (21 October 1912 - 5 September 1997) was a world-renowned Hungarian-British orchestral and operatic conductor.

Early career

Solti was born György Stern [1] in Budapest, where he learned the piano and studied at the Franz Liszt Academy of Music. His father Germanized young György's given name to Georg and changed his family name to Solti, to shield his son from anti-semitism. By 1935, he was gaining recognition as a conductor, and made his debut at the Budapest Opera in 1938 with The Marriage of Figaro. In 1939, with German invasion imminent, he fled Hungary because of his Jewish ancestry, and moved to neutral Switzerland, where he continued a career as a pianist but had limited opportunities to develop his conducting.

After the war, Solti was music director of the Bavarian State Opera in Munich and Frankfurt Oper. In 1951, he made his debut at the Salzburg Festival conducting Mozart's Idomeneo.

In 1961, Solti was engaged to conduct at the Royal Opera House, Covent Garden, where he was music director until 1971, and thereafter spent much of his time in Britain and the United States.

His first marriage to Hedi Oechsli, in 1946, ended in divorce.[2] His second marriage was to Valerie Pitts, a British television presenter whom he met when she was sent to interview him. They had two daughters. In 1972, he was naturalised as a United Kingdom citizen (and hence also a British subject). He had been awarded an honorary KBE (knighthood) in 1971, and was known as Sir Georg Solti after his naturalisation.

Chicago Symphony

Solti was music director of the Chicago Symphony Orchestra (CSO) from 1969 until 1991, when he was made the first and only Music Director Laureate in that orchestra's history. He was music director of the Orchestre de Paris from 1972 until 1975. From 1979 until 1983, he was principal conductor of the London Philharmonic Orchestra.

Solti was as enthusiastic making music in the recording studio as in the opera house or concert hall. He developed a long and productive partnership with the legendary producer John Culshaw at Decca. Products of this partnership included the first ever complete studio recording of Wagner's Der Ring des Nibelungen with the Vienna Philharmonic Orchestra. No less distinguished and equally groundbreaking were his studio recordings of the operas of Richard Strauss, which like his Wagner have been remastered and released on CD where they are still praised for their musicianship and expert production values. His performances and recordings of works by Verdi, Mahler and Bartók were also widely admired. With the Chicago Symphony Orchestra, the London Philharmonic Orchestra, and the Vienna Philharmonic Orchestra he recorded an extensive symphonic repertoire including the complete symphonies of Beethoven, Brahms, Bruckner, Elgar, Schumann, and Mahler.

He continued to add new works to his repertoire in the latter days of his career, voicing particular enthusiasm for the music of Shostakovich, whom he admitted he failed to appreciate fully during the composer's lifetime. Solti never truly retired, and his sudden death in 1997 meant several years of planned performances and recording projects would never be realized. In total, Solti conducted 999 performances with the CSO; his 1000th performance was scheduled to be in October 1997, around the time of his 85th birthday. All told, he won thirty-eight Grammy awards, more than any other artist in any category. The City of Chicago renamed the block of East Adams Street adjacent to Symphony Center as "Sir Georg Solti Place" in his memory.

According to his last wish, he rests in Hungarian soil. After a state funeral, he has been placed beside Béla Bartók: his one-time tutor and mentor.

Solti co-wrote his memoirs with Harvey Sachs, published in the UK as Solti on Solti and in the USA as Memoirs. The book appeared in the month after his death.

Awards and Recognitions

Grammy Award for Best Chamber Music Performance:

• David Corkhill, Evelyn Glennie, Murray Perahia & Georg Solti for Bartók: Sonata for Two Pianos & Percussion (Grammy Awards of 1989)

Preceded by: Hans Knappertsbusch	General Music Director, Bavarian State Opera 1946 – 1952	Succeeded by: Rudolf Kempe
Preceded by: Paul Kletzki	Music Director, Dallas Symphony Orchestra 1961–1962	Succeeded by: Donald Johanos
Preceded by: Rafael Kubelík	Music Director, Royal Opera House, Covent Garden 1961 – 1971	Succeeded by: Colin Davis
Preceded by: Irwin Hoffman	Music Director, Chicago Symphony Orchestra 1969 – 1991	Succeeded by: Daniel Barenboim
Preceded by: Herbert von Karajan	Music Director, Orchestre de Paris 1972 – 1975	Succeeded by: Daniel Barenboim
Preceded by: Bernard Haitink	Principal Conductor, London Philharmonic Orchestra 1979–1983	Succeeded by: Klaus Tennstedt